The Whole Machinery: The Rural Modern in Cultures of the U.S. South, 1890-1946 (University of Georgia Press, 2019).
An Aesthetics of Fusion: David Bryant Fultons Hanover and the Wilmington Massacre, The 1898 Wilmington Massacre: Critical Explorations on Insurrection, Black Resilience, and Black Futures, ed. Tiffany Gilbert and Lynn Mollenauer (Louisiana State University Press, forthcoming).
Notes on the Altered States of Virginia: Jocelyn Nicole Johnsons My Monticello,&紳莉莽梯;Mississippi Quarterly (forthcoming.
The Ends of the Cosmopolitan: Go Down, Moses, Rurality, and Faulkners Americanity, Faulkner's Modernisms, ed. Jay Watson and James Thomas (University Press of Mississippi, forthcoming).
Huck Finn, Land Pirate, Studies in American Fiction 47.1 (2020): 47-70.
The Plantation Countermelodies of Dunbar and Du Bois: Writing Agropolitical Subjecthood in the Nadir, American Literature 91.3 (2019): 557-86.
Fields of Progress: The Mechanization of Agriculture in Days of Heaven, American Studies 57.1/2 (2018): 79-102.
Astonishing Byblows: Rurality, Snopesism, and Populist Modernization in Faulkners Frenchmans Bend, Modern Fiction Studies 64.2 (2018): 286-310.
No kind of place: New York City, Southernness, and Migratory Modernism,&紳莉莽梯;Faulkners Geographies, ed. Jay Watson and Ann A. Abadie (University Press of Mississippi, 2015), 50-64.
The Magical Real and the Rural Modern in Cinema Novo: Vidas Secas and Black God, White Devil, South Central Review 31.1 (2014): 55-73.
M硃梯梯勳紳眶 The Democratic Forest: The Postsouthern Spaces of William Eggleston, Southern Cultures 17.2 (2011): 37-54.
Looking Over the Country Again: Rusticity and the Urban/Rural Spatiality of The Orchard Keeper and No Country for Old Men, Cormac McCarthy Journal 9.1 (2011): 1-16.
Raised in the Country, Working in the Town: Spatial and Temporal Modernisms in Bob Dylans Love and Theft, Popular Music and Society 32.2 (2009): 199-210.
