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With music, wit, and a little absurdity, 51�Թ��� Theater opened its Threepenny Opera production in Brehmer Theater on Wednesday. The show, which runs through the weekend, is the story of criminal/hero MacHeath (Joshua Jackson ’13) and his marriage to Polly Peachum (Katie Sotos ’15), the daughter of greedy businessman Mr. Peachum (Denny Gonzalez ’13). […]

In February, three students in Professor Zhou Tian’s composition class had a rare opportunity — a reading and performance of their works by a renowned professional ensemble.

As birds chirp cheerful songs, a Chinese character duplicates and forms fractal shapes. In sharp contrast, city vibrations serve as the soundtrack for bustling scenes from Shanghai and Hangzhou. Although Revolutions per Minute (RPM) is a sound art exhibition, visitors will travel beyond sight and sound.

When the Zen-style rock garden was created outside the Ho Science Center, as subtle homage to the heritage and beliefs of Robert H.N. Ho ’56, no one anticipated that it would one day be part of the first exhibition of Chinese sound art in the world.

While smog in China continues to make news, one of that nation’s newest composers is providing American audiences with a breath of fresh air.

Weatherproof speakers, iPads and iPods, video projectors and monitors, headphones, a telescope, and 64 chanting machines are among the equipment being set up on campus and in the village of Hamilton, as artists and technicians prepare for Revolutions Per Minute (RPM), the first survey exhibition of Chinese sound art to be shown inside or outside […]

David Kaplan ’07, a political science major at 51�Թ���, is an independent film producer who recently launched Animal Kingdom Films. The first film associated with his new company was recently named a grand jury winner at the prestigious South by Southwest Film Festival in Austin, Texas.

“Revolutions per Minute,” an innovative Chinese sound-art exhibition being organized at 51�Թ��� by Wenhua Shi, assistant professor of art and art history, was featured today in the New York Times Arts Beat blog. The post also will appear on Mar. 4 in print as an Arts, Briefly, item.